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      • Connie Bergum
      • Larry Blackwood
      • Joe Boddy
      • Dana Boussard
      • Larry Boyer
      • Jill Brody
      • Corky Clairmont
      • David Dragonfly
      • Kelsey Dzintars
      • Patty Franklin
      • Jennifer French
      • Bev Glueckert
      • Stephen Glueckert
      • Marla Goodman
      • Keith Graham
      • Sally Hickman
      • Linda King
      • BT Livermore
      • Christine Martin
      • Kelly Packer
      • Lindy Racine
      • Jonathon Read
      • Dione Roberts
      • Seth Roby
      • Breanna Shermer
      • Barb Schwarz-Karst
      • Heather Snell
      • Noelle Sullivan
      • Richard Swanson
      • Sue Tirrell
    • 2016-2017 Artists >
      • Anthony Yazzie
      • Ashwini Bhat
      • Ben Crawford
      • Bently Spang
      • Beverly Glueckert
      • Brooks Oliver
      • Cathryn Sugg
      • Corky Clairmont
      • Courtney Blazon
      • Crista Ann Ames
      • Darlene Pucillo
      • Elisha Harteis
      • Jennifer Ogden
      • John Isaiah Pepion
      • Kate Hunt
      • Kathryn Schmidt
      • Lauren Monroe
      • Louis Habeck
      • Mary Conway
      • Mimi Matsuda
      • Muriel Condon
      • Rebecca Weed
      • Richard Nickel
      • Ryan Mitchell
      • Sarahjess Hurt
      • Sean Heavey
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      • Susan B. Carlson
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      • Lindy Racine
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ART MOBILE OF MONTANA

Gordon Mcconnell
Billings, MT
www.gordonmcconnellstudio.com

Picture
Picture
Missouri Pacific Express #2
acrylic and canvas panel
11 x 14 inches
2013





I search for and find most of the imagery for my paintings in the streams of stills that compose motion pictures. People often say that individual frames from movie masterpieces, like Citizen Kane or Lawrence of Arabia, or any number of films you might name, could be displayed like canvases in a museum. In a way, this is what I'm attempting to do in my paintings. I integrate the experience of the film as a part of my life experience—something I've perceived, felt, and analyzed—and I make my art out of that.

Where films are animated, paintings are still, but films are comprised of thousands of still images, set in motion historically by the machinery of mechanical projectors and today as streams of digital data mapped-out on electronic screens. Our experience of movies is fleeting, ephemeral, the images pass before our eyes uninterrupted in the flow of narrative as if in a waking dream.

Read More and Resume

In the studio...more coming soon!

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CONTACT: Michelle Summers, Teaching Artist / artmobilemt1@gmail.com / 503-504-1104
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